"Mysteries" of Diana's Cult at Lake Nemi
in the Nottingham Collection
Lora Louise Holland
UNC-Asheville
The English ambassador at Rome in 1885 was Sir John Savile Lumley, who undertook
the excavation of several trenches in the volcanic crater that holds Lake
Nemi and the famed sanctuary of Diana in the Arician nemus, in cooperation with the landowner Prince Orsini.
The Prince kept the "best finds," that is, those that could readily
be sold on the antiquities market of the day, leaving Lumley with the terracottas,
small bronzes, coins, inscriptions, and various miscellaneous finds, much
of it of Republican date. Lumley shipped the bulk of these finds to his estate
in Nottinghamshire, where they formed what became known as the Nemi Collection
at the Castle Museum in Nottingham. The "Nemi Room" was dismantled
at the turn of the 21st century, and the entire collection was
placed in storage at the nearby Brewhouse Yards Conservatory, where it remains
today. While other finds from Nemi, many of which are scattered across the
globe—at the Ny Carlsberg Glyptotek in Copenhagen, the British Museum,
the Villa Giulia and other museums in Rome, and the University of Pennsylvania
Museum of Archaeology and Anthropology in Philadelphia—have received
a good deal of attention, the Nottingham collection as a whole has not. Its
contents, however, particularly items from the collection that have never
been adequately published, are ripe for renewed study in light of new excavations
in the environs of Lake Nemi. After two recent trips to Nottingham to study
the collection, and one to Lake Nemi itself, I wish to present some results
of my research.
In this illustrated paper, I will first give a brief overview of the ancient
sites located in the Lake Nemi crater, including the most recently published
plans of the area of the sanctuary, the small theater, and the holiday villa,
excavated by the Nordic Institute in 1998-2002, believed to have belonged
to Julius Caesar. Then I will present some of the objects from the Nemi Collection
that shed new light on Diana's cult, and on Roman religion and culture more
generally. This will include votive terracotta figurines of pregnant women—what
they do and do not tell us—and two enigmatic bronze objects that have
not been properly published, whose votive function I hope to illuminate.
There will also be a handout with bibliography and additional visuals.