2018 CAMWS First Book Award Recipients

CAMWS Subcommittee: First Book Award                                  2018 Announcement

 

Membership:

Neil Bernstein, Ohio University

Meghan DiLuzio, Baylor University

Kyle Harper, University of Oklahoma

Lisa Hughes, University of Calgary

Jennifer Larson, Kent State University

Ruth Scodel, University of Michigan

 

The Classical Association of the Midwest and South is pleased to announce the winners of the 2018 First Book Award. The criteria for this award include excellent quality, wide significance within a scholarly domain, and demonstrated awareness of international trends. The committee is especially interested in books which shift the conversation substantially in the relevant field of research. This year’s winners, in alphabetical order, are Lauren Donovan Ginsberg (University of Cincinnati) for her book Staging Memory, Staging Strife. Empire and Civil War in the Octavia (Oxford University Press, 2016) and J. Alison Rosenblitt (University of Oxford) for her book E. E. Cummings’ Modernism and the Classics (Oxford University Press, 2016).

 

Rosenblitt’s book was commended as a “groundbreaking” and “innovative” work with “truly remarkable research,” which defines E. E. Cummings’ place within the Classical tradition and presents newly edited writings from the poet’s years at Harvard. According to one member of the committee, Rosenblitt “demonstrates a wide knowledge of Classical literature and gives particularly sensitive readings of his engagement with Vergil and Horace.” Another member wrote that “Rosenblitt [builds] an overwhelming case that we should hear a streak of classical influence and adaptation throughout Cummings’ poetry.”

 

Committee members lauded Ginsberg’s book as a “compelling and beautifully written study” of intertextuality and cultural memory in the Octavia, which “will surely have a broad impact on the scholarship of this play and its reception in the theatre world.” One committee member praised Ginsberg’s “sensitive and meticulous” readings, while another noted that she “admirably and convincingly deals with the thorny issue of stagecraft.” The book “provides for the first time a full conceptual framework within which to approach the Octavia’s intertextuality.”

 

Congratulations to Drs. Ginsberg and Rosenblitt.